Dubai Telegraph - Despite Covid hurdles, US orchestras find the joy in music

EUR -
AED 3.875889
AFN 72.205181
ALL 98.1458
AMD 411.558537
ANG 1.916541
AOA 962.380548
ARS 1053.460617
AUD 1.629039
AWG 1.899436
AZN 1.796054
BAM 1.955128
BBD 2.147062
BDT 127.076321
BGN 1.955501
BHD 0.397691
BIF 3140.220626
BMD 1.055242
BND 1.421211
BOB 7.348474
BRL 6.127479
BSD 1.063429
BTN 89.681974
BWP 14.429177
BYN 3.480104
BYR 20682.748811
BZD 2.143463
CAD 1.477856
CDF 3023.268931
CHF 0.936037
CLF 0.037475
CLP 1034.042999
CNY 7.643435
CNH 7.656268
COP 4726.4302
CRC 543.013352
CUC 1.055242
CUP 27.963921
CVE 110.227112
CZK 25.29162
DJF 189.364013
DKK 7.458431
DOP 64.047985
DZD 141.595584
EGP 52.048878
ERN 15.828634
ETB 129.787589
FJD 2.400517
FKP 0.831939
GBP 0.831679
GEL 2.880533
GGP 0.831939
GHS 17.174097
GIP 0.831939
GMD 74.922181
GNF 9164.849807
GTQ 8.217176
GYD 222.483527
HKD 8.210793
HNL 26.847772
HRK 7.527398
HTG 139.82194
HUF 408.071164
IDR 16747.750325
ILS 3.961617
IMP 0.831939
INR 89.091464
IQD 1393.021183
IRR 44417.781293
ISK 147.301429
JEP 0.831939
JMD 168.352133
JOD 0.748277
JPY 164.528089
KES 136.65697
KGS 90.959327
KHR 4308.519052
KMF 492.111895
KPW 949.718351
KRW 1484.483078
KWD 0.324709
KYD 0.886195
KZT 524.13984
LAK 23353.972643
LBP 95227.167988
LKR 310.813166
LRD 200.4511
LSL 19.103234
LTL 3.115856
LVL 0.638305
LYD 5.152205
MAD 10.573666
MDL 19.162413
MGA 4962.294333
MKD 61.50386
MMK 3427.385783
MNT 3585.713011
MOP 8.520071
MRU 42.333449
MUR 49.480474
MVR 16.303257
MWK 1843.966182
MXN 21.714761
MYR 4.729581
MZN 67.429784
NAD 19.103234
NGN 1777.15508
NIO 39.136548
NOK 11.768911
NPR 143.490319
NZD 1.79792
OMR 0.406301
PAB 1.063434
PEN 4.030415
PGK 4.274531
PHP 62.083597
PKR 295.462042
PLN 4.341712
PYG 8299.108061
QAR 3.877067
RON 4.9761
RSD 116.986248
RUB 103.941388
RWF 1459.598299
SAR 3.965
SBD 8.846682
SCR 14.372691
SDG 634.721198
SEK 11.604083
SGD 1.419443
SHP 0.831939
SLE 24.075373
SLL 22127.897695
SOS 607.691121
SRD 37.228328
STD 21841.3848
SVC 9.304802
SYP 2651.327542
SZL 19.109251
THB 36.955598
TJS 11.330505
TMT 3.7039
TND 3.34705
TOP 2.471482
TRY 36.253371
TTD 7.226516
TWD 34.38931
TZS 2806.944247
UAH 43.932499
UGX 3902.658556
USD 1.055242
UYU 44.834589
UZS 13604.323846
VES 47.482416
VND 26792.601648
VUV 125.280461
WST 2.949681
XAF 655.731608
XAG 0.035015
XAU 0.000412
XCD 2.851845
XDR 0.801125
XOF 655.728502
XPF 119.331742
YER 263.600634
ZAR 19.280301
ZMK 9498.447256
ZMW 29.089001
ZWL 339.787586
  • RBGPF

    59.2500

    59.25

    +100%

  • CMSC

    0.0700

    24.61

    +0.28%

  • CMSD

    -0.0200

    24.73

    -0.08%

  • NGG

    -0.7800

    62.12

    -1.26%

  • BCC

    1.4200

    142.55

    +1%

  • RIO

    -0.5800

    60.62

    -0.96%

  • SCS

    -0.3000

    13.37

    -2.24%

  • RELX

    -0.4700

    46.12

    -1.02%

  • BTI

    0.1800

    35.42

    +0.51%

  • JRI

    0.0200

    13.24

    +0.15%

  • RYCEF

    -0.0400

    7.07

    -0.57%

  • GSK

    -0.4100

    35.11

    -1.17%

  • AZN

    0.1000

    65.29

    +0.15%

  • VOD

    0.2800

    8.75

    +3.2%

  • BCE

    -0.4800

    27.21

    -1.76%

  • BP

    0.4100

    28.57

    +1.44%

Despite Covid hurdles, US orchestras find the joy in music
Despite Covid hurdles, US orchestras find the joy in music

Despite Covid hurdles, US orchestras find the joy in music

At the start of 2020, the National Symphony Orchestra was planning its first international tour with conductor Gianandrea Noseda, and an epic Beethoven cycle to mark the 250th anniversary of the legendary composer's birth.

Text size:

Instead, the coronavirus pandemic forced the ensemble out of the Kennedy Center in the US capital for 18 months, and the Beethoven symphonic series has been rescheduled, starting this month and wrapping up in... 2023.

The NSO and other professional orchestras in the United States have resumed live performances in recent months while navigating a maelstrom of Covid-19 rules, trying to keep everyone healthy, and convincing wary listeners to buy tickets again.

"It has been a big challenge," Noseda told AFP after an afternoon rehearsal for January's concerts, which include some of the Beethoven symphonies -- but not the Ninth, as the chorus required would put too many unmasked people on stage.

Noseda, who was not able to travel to Washington for a year as the crisis unfolded, detailed the NSO's pandemic evolution from virtual concerts, small groups on stage and plexiglass between musicians to the more or less normal 2021-22 season.

"The alternative would have been no performance at all," the 57-year-old Italian maestro said, explaining that he managed to keep in touch with his players during the long hiatus through Zoom calls and emails.

Now, Noseda says there is a "really perceivable" sense of musicians and audiences appreciating the moment, and not looking too far ahead.

"I fully enjoy that moment," he said. "It's a gift to you."

- Vaccines, testing and adaptability -

So how do you go about making sure that dozens of musicians can be on stage together safely for rehearsals and concerts, especially when some of them -- brass and woodwind players -- cannot be masked?

The plexiglass partitions seen earlier in the pandemic are gone, but all NSO members who can play while masked do so, and protocols are rigid.

"It's a new world for all of us," said NSO executive director Gary Ginstling, explaining that general manager Genevieve Twomey and her team have basically become "an in-house medical team" conducting weekly testing and monitoring.

Twomey said "very few" positive results had been detected so far within the orchestra.

But in Texas, the Dallas Symphony Orchestra was forced to cancel two concerts and cut planned works from two others this month because they could not replace key musicians who had tested positive.

"Omicron has been particularly challenging because it's so contagious and prevalent," DSO president and CEO Kim Noltemy told AFP in a statement.

For Jamie Roberts, the NSO's assistant principal oboe player who clearly performs without a mask, "once there was a vaccine, and people could get a vaccine, I felt really safe."

Colin Williams, the associate principal trombone player at the New York Philharmonic, agreed that protocols in place had been "worth it," ensuring the musicians' safety and that of their loved ones at home.

"I personally feel that when I'm at work, I don't feel like I'm in danger," Williams told AFP.

Roberts, 37, says she is thrilled to be back on stage, but before that became possible, she helped shape the orchestra's virtual programming, dubbed NSO at Home.

Many other US classical ensembles launched similar initiatives to keep attendees engaged.

"We believe that creating programs for home viewing is an integral part of our future and the future of the field," said Jim Roe, the president and executive director of the New York-based Orchestra of St Luke's.

So, will Americans don masks to experience live orchestral music, as they weather the surge in Covid-19 cases?

Officials with the Chicago Symphony Orchestra feared Omicron would dent sales. In the end, 80 percent of tickets for its January concerts were sold.

While some cities such as New York and Washington have implemented vaccine and mask mandates at concert venues with ease, the Dallas symphony ran up against Governor Greg Abbott's executive orders barring such requirements.

Noltemy said the DSO, mindful of an "obligation" to keep attendees safe, is keeping its mask rules in place, despite the risk of being fined for doing so.

The organization is also offering free on-site rapid testing for those without proof of vaccination in hand "to ensure the safest possible environment," Noltemy said.

- Looking ahead -

So, what does the future hold? Can orchestras plan to travel this year, or the year after that? And if not, how will that affect programming?

In Chicago, when a scheduled Asian tour for January was canceled, conductor Riccardo Muti planned a series of concerts in the Windy City, including some that are free to the public.

Back in Washington, while the NSO has planned a full season, Ginstling admitted future travel was uncertain.

"There are a lot more questions than answers right now," he said.

But Roberts, the oboe player, said she is simply reveling in the moment, being reunited with her colleagues.

"We missed each other, it's a family," she said. "It's a really cool job."

Z.W.Varughese--DT